When I was a child, I used to go to the home of a graphic designer who had her studio in the basement. I loved to wander downstairs and look at her papers, her pristine white drawing table and best of all her markers, perfectly lined up in the full rainbow of colours. Seeing ALL the colours in perfect order gives me an enormous thrill to this day. And that is why I love going into the studio of textile artist, Michelle Sirois-Silver.
These fabric stacks are my favourite things in her studio, the textile equivalent of a paintbox. |
So here are some photos of Michelle's studio, as well as her answers to my little studio Q & A.
Michelle, hard at work. |
What is your favourite part of the studio?
My favorite part of the studio is where ever I am at the moment I am creating something.
My favorite part of the studio is where ever I am at the moment I am creating something.
The old and the new. |
Can you tell me about your studio routine?
I'm in the studio everyday 10-6pm. I like to begin the day by organizing and putting away any new items and materials that I have brought with me that morning. I set up my computer, cup of coffee in hand and begin work. Generally, I reserve activities like magazine and grant writing, marketing, and updating my website for home. I may pick up my rug hooking where I left off the following day, do some fabric dyeing, or create samples for a new work. I take photographs of my work in different stages and I'll use these images as a record of the process or for promotional purposes. While I'm working I listen to CBC radio, music or audio books. I try to schedule studio visits for the afternoon. The day concludes with about fifteen minutes of clean up which includes a daily vacuum to keep the dust and fabric pieces under control.
A little sampler which I found quite beautiful. |
There are three things that inspire my creativity: I love narrative and the art of story telling and I try to bring this sensibility to my practice. Visually I'm drawn to images that inspire a sense of intimacy. When I'm looking at something I shut out everything else around it and view that one thing in utter isolation. When I do this the image alters its form and it becomes a range of colour, a dynamic value contrast, or a pattern. Its new potential is inspiring. And talking with fellow artists about their work, inspirations, and processes.
Here is textile piece of Michelle's that I own and love. You can see more of her work at:
And if you would like to visit Michelle's gorgeous studio in person, come and visit her on the Eastside Culture Crawl on November 18, 19 and 20, 2011.
This post is the kick off to a series of posts I will be writing on the Crawl, as we head up to the big event.
Great photos-makes me want to organize my office better.
ReplyDeleteYes, in some ways Michelle's studio is like a giant textile paintbox!
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