What limits artists from reaching their
full potential? Here’s my list of the seven deadly sins of artists, because
everyone likes lists, right?
1. Envy
This is the number one sin in the minds of
many artists. They envy something about other artists: income, fame,
representation or even talent. A little envy can be motivating if it kicks your
butt into working harder or doing something new. But too much envy is paralyzing,
it eats away at you like evil moths on your favourite cashmere sweater. Art is
subjective in many ways, so while you create work that you love, it can stay
undiscovered for a multitude of reasons. If you feel the envy, try to imitate
rather than compete. I don’t mean imitate someone else’s art, but rather
imitate the ways they get their art out there because exposure is the only way
that people will find your work. When I find an artist whose work parallels
mine, I look at the galleries or online sites they use as potential venues for
me.
2. Greed
Most of the original sins have to with
excess. It’s good to desire to have one easel, but wanting 12 is greedy.
(Although can you apply that to paint? I always seem to need and want more paint.) I
would twist greed around a little and say that you really need to develop a
style of painting, and not hop onto every new trend you see. Painters can paint
still lifes/landscapes/portraits/abstracts in
watercolour/oil/acrylic/encaustics/pastels, the permutations are endless. But if
you hop onto every new trend that catches your eye, are you really getting
better? Are you developing your own style? Many beginning artists come into my
studio and say immediately, “I want to do abstracts too! I want to use resin
too!” My process came out of years of experimentation. At first I copied styles I
liked, but eventually my interest in layering and transparency brought me to
the place I’m at now. And while I still experiment, I do try to focus on the
same ideas that brought me here.
3. Pride
After you’ve worked as an artist for a
while, you begin to take pride in your practice. You’ve accomplished things,
you’ve had career success, you have technical expertise, you may even start
teaching others. Now what are you? An emerging artist? A mid-career artist? An
established artist?
In Buddhism, there is a concept called Beginner’s
Mind, where you have to empty your mind so you can learn more. I think it’s
important to have Beginner’s Mind, to continue to take classes, to ask
questions either of other artists or on artist forums. While it’s satisfying to
give advice, once you become “an expert” you’re painted into a corner where you
have to know everything. You want to keep evolving your art, not become one of
those artists whose work looks exactly the same as it did 20 years ago. Keep
seeking your painting nirvana.
I do see the irony in the fact that I’m
writing an advice post and saying I’m no expert, and later this week I’ll write
more about Beginner’s Mind. Also, since I certainly don't know everything, I do welcome any comments and advice you have. Feel free to add your own advice to the comments
section, the more minds the better.
4. Wrath
Honestly, I don’t know if wrath can apply
to artists. Most are so delighted to be able to pursue a profession of autonomy
and creativity, that they don’t need to rage. But do know that if you’re filled
with negativity it will come out in your paintings, paintings really are the
mirror of our emotions as we create them. I’ve had so many people say that my
art is happy, and some even suggest that I must be a happy person. Although I
don’t consider myself particularly sunny, I guess I am pretty optimistic, and
I’m always happiest when I’m painting.
5. Lust
Thankfully for this list, lust does not
apply only to sex, according to Wikipedia it can also be “the intense desire of
money, fame or power,” So let’s examine that, let’s say you do want money, fame
and power, gulp, all of it. The art world has a hierarchy and you have to learn
it to climb it. So while working hard in the studio is important, you also have
to get connected to the art world. This means going to openings, meeting other
artists, collaborating with other artists, reading art publications and blogs,
in general becoming a bigger part of the world around you. Also working on
projects that are larger scale is good, like public art installations or
international artist calls. Publicity is important too, as is winning awards.
Of course all of this is easier said than done.
Of all the sins, this area is my biggest
weakness. I love to go the studio and put the hours in, but then I want to go
home and be with my family. And when I do go to openings, I'd rather look at the art than network. So how can I give advice? I recently read an interview with NYC artist, Will Cotton, who tells how he got connected and he
makes it sound so easy! Plus his paintings look delicious.
6. Gluttony
I don’t know what to say about this except
if you eat a big lunch then sometimes you fall asleep in the afternoon. And if
your face lands on your paint palette or a painting, that would be bad. Not
that I know personally of course.
7.
Sloth
When I went to art school, almost everyone
was talented…duh, that’s how they got admitted to a competitive art school.
However in every painting class there were one or two people who were
transcendently gifted, they painted stuff that made me go “Wow!” or “Holy
@$&#!” Sometimes it was work I didn’t even like, like fleshy portraits or
muddy landscapes of skateparks, but anyone could tell it was good. What is interesting
though, is that those really great painters had a good work ethic. They painted
and painted, they had their assignments done, and they had time for exploration
as well. I would have predicted that these students would be successful
artists.
(As an aside, my predictions were only 50%
right. Out of all the people in my painting classes, two are now fairly
successful artists, one I would have predicted and the other never impressed me
yet I saw his work at the VAG last week. The one guy I thought was the best
painter, I’ve never heard of him again, he may be in the States somewhere but
he’s never shown in Vancouver.)
It’s a chicken and egg situation. Are they
talented first and work hard because it comes naturally, or are they good
painters because they’ve already worked so hard? The answer doesn’t really
matter because either way, they’re a good bet for greatness in the art world.
The corollary is also true: the lazy art students are never heard from again.
If you can’t even finish your assignments, what are the chances you’ll be ready
for a big show?
So that’s it, the seven deadly sins of artists.
What’s your weakness? Attack it today.
Great post! You clearly have that sloth problem licked.
ReplyDeleteLove this! Such sage advice for artists. Your take on gluttony made me laugh out loud!
ReplyDeleteWhat an entertaining and thoughtful post, Mary Anne. I like your explanation of Beginner's Mind and look forward to reading more. Thanks for stopping by my blog today!
ReplyDelete:)
Deborah